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Feb 18, 2010

Happy Birthday Photoshop

Adobe Photoshop Hits Twenty
Community Celebrates Software that Changed the Way We View the World
SAN JOSE, Calif., – Feb. 18, 2010 – Adobe(r) Photoshop(r), the software product that redefined creativity in the digital age, turns 20 on Feb. 19, 2010. Around the world, Photoshop fans are celebrating the impact their favorite software has had across photography, art, design, publishing and commerce. In the United States, the National Association of Photoshop Professionals (NAPP) will be hosting a special Photoshop 20th Anniversary celebration for over a thousand attendees in San Francisco at the Palace of the Fine Arts Theater today. The event will feature Adobe’s senior vice president of Creative Solutions, John Loiacono, as well as vice president of Photoshop Product Management, Kevin Connor, Photoshop co-creator Thomas Knoll and famed Adobe creative director and Photoshop evangelist, Russell Brown. To be a part of this celebration and view the live Webcast, visit: www.photoshopuser.com/photoshop20th.
The festivities continue overseas in Japan, Southeast Asia and throughout Europe. In honor of the 20th anniversary, Adobe Germany will host a special 20-hour online marathon, featuring over 15 local Photoshop “gurus” demonstrating their favorite tips and tricks live for Photoshop fans. In India and France, digital imaging contests will be held to showcase the work of Photoshop users. A special Adobe TV broadcast will also air on the anniversary date at http://tv.adobe.com/go/photoshop-20th-anniversary, reuniting the original “Photoshop team” for the first time in 18 years, to discuss their early work on the software and demonstrate Photoshop 1.0 on a rebuilt Macintosh computer.
The Photoshop community is also sharing their favorite stories online, with the product and its over 400,000 fan-strong Facebook page, the hub for a worldwide look at the product’s impact. A new “Celebrate” tab directs users to a 20th anniversary logo, which many have already personalized with Photoshop and used as a replacement for their profile image. Connect with the Photoshop team at www.facebook.com/Photoshop or http://twitter.com/photoshop, and add the tag #PS20 to tweets about the anniversary.
“For 20 years Photoshop has played many different roles – it has given creative people the power to deliver amazing images that impact every part of our visual culture and challenged the eye with its ability to transform photographs,” said Shantanu Narayen, president and chief executive officer at Adobe. “It’s no exaggeration to say that, thanks to millions of creative customers, Photoshop has changed the way the world looks at itself.”
The impact of Photoshop is everywhere – billboard signs, magazine covers, major motion pictures, even the logo on the coffee cup you drink out of every morning. All have likely been touched by the software. Over 90 percent of creative professionals have Photoshop on their desktops and today Photoshop is used by professional photographers, graphic designers and advertisers, as well as architects, engineers and even doctors. Whether it’s bringing visual effects to life in the blockbuster film Avatar, helping save lives in partnership with forensics departments and the Center for Missing and Exploited Children, or challenging the human eye to determine if an image is real or fake, Photoshop continues to find new uses and advocates.
How It All Began
In 1987, Thomas Knoll developed a pixel imaging program called Display. It was a simple program to showcase grayscale images on a black-and-white monitor. However, after collaborating with his brother John Knoll, the two began adding features that made it possible to process digital image files. The program eventually caught the attention of industry influencers, and in 1988, Adobe made the decision to license the software, naming it Photoshop, and shipping the first version in 1990.
“Twenty years ago, Adobe predicted that it would sell 500 copies of Photoshop per month,” said Thomas Knoll, co-creator of Photoshop at Adobe. “I guess you could say, we beat those projections! It’s amazing to think that millions of people use this software today. We knew we had a groundbreaking technology on our hands, but we never anticipated how much it would impact the images we see all around us. The ability to seamlessly place someone within an image was just the beginning of Photoshop’s magic.”
Over its 20-year history, Photoshop has evolved significantly from a simple original display program to a wildly popular application that has over 10 million users worldwide. With each release, Adobe has introduced technological innovations that defy the impossible. Layers, introduced in Photoshop 3.0, gave designers the ability to create complex compositions easier than ever before. The Healing Brush, another groundbreaking feature introduced in Photoshop 7.0, allowed users to magically retouch images by seamlessly removing blemishes and wrinkles, while preserving lighting and texture. Photoshop tools like crop, eraser, blur and dodge and burn have become part of the creative vernacular worldwide.
The Photoshop team thrives off its rich beta tester program, with active and vocal users who have submitted requests and helped shape the development of features throughout the years. Adobe has maintained a strong connection with its customer base through blogs, user research, customer support, forums and feedback from Adobe “evangelists” who travel the world to engage with Photoshop users.
Helpful Links
Photoshop Customer Quote Sheet: www.adobe.com/aboutadobe/pressroom/pressreleases/201002/0211810PS20AnniversaryQuoteSheet.html
National Association of Photoshop Professionals (NAPP) Photoshop 20th Anniversary Celebration: www.photoshopuser.com/photoshop20th
Adobe TV Photoshop 20th Anniversary Broadcast: http://tv.adobe.com/go/photoshop-20th-anniversary
Photoshop Facebook Page: www.facebook.com/Photoshop
Photoshop Facebook Page: www.facebook.com/Photoshop
Photoshop Twitter: http://twitter.com/photoshop
Photoshop Family Page: www.adobe.com/products/photoshop/family
Adobe Photoshop Family
Building upon Photoshop’s history of innovation and leadership, Adobe offers a line of Photoshop desktop and Web-hosted solutions for every level of user. Each product in the Photoshop family gives users across the spectrum of digital expertise the power to manage, edit, create and showcase images.
Photoshop CS4 and Photoshop CS4 Extended software are at the heart of the Photoshop family, providing unrivaled power and editing freedom. Photoshop Lightroom(r) addresses the workflow needs of serious amateur and professional photographers, helping them find, manage, enhance and showcase images in powerful ways. Photoshop Elements software provides accessible tools and sharing options for photo enthusiasts. Snap-shooters can quickly and easily share and edit photos with simple gestures on their iPhone or Android devices. Photoshop.com completes the Photoshop line providing an online photo sharing, editing and hosting resource for all.
About Adobe Systems Incorporated
Adobe revolutionizes how the world engages with ideas and information – anytime, anywhere and through any medium. For more information, visit www.adobe.com.

Adobe Photoshop Hits Twenty
Community Celebrates Software that Changed the Way We View the World

SAN JOSE, Calif., – Feb. 18, 2010 – Adobe® Photoshop®, the software product that redefined creativity in the digital age, turns 20 on Feb. 19, 2010.

Around the world, Photoshop fans are celebrating the impact their favorite software has had across photography, art, design, publishing and commerce.

In the United States, the National Association of Photoshop Professionals (NAPP) will be hosting a special Photoshop 20th Anniversary celebration for over a thousand attendees in San Francisco at the Palace of the Fine Arts Theater today.

The event will feature Adobe’s senior vice president of Creative Solutions, John Loiacono, as well as vice president of Photoshop Product Management, Kevin Connor, Photoshop co-creator Thomas Knoll and famed Adobe creative director and Photoshop evangelist, Russell Brown. To be a part of this celebration and view the live Webcast, visit: www.photoshopuser.com/photoshop20th.

Nov 4, 2008

Go Vote!

I voted…you all should too–whoever you wish to vote for.

Sep 30, 2008

Scott and Matt Talk “Conspiracy Theories”

It seems some people see Conspiracy Theories where there really aren’t any. To address some users’ question Scott Kelby took the “easy way” out and did a video with Matt Kloskowski and talked about the timing of Lightroom 2, Photoshop CS4 with Camera Raw 5. I say “easy way” because it was easier for Scott and Matt to sit around talking than having to actually write (his words, not mine).

So check this post out (and watch the video if the mood strikes you–post comments on SCOTT’s blog, not here). Lightroom 2 vs. CS4 & Lightroom Conspiracy Theories

Aug 12, 2008

Photography as a Weapon


Boing Boing’s contest entry. (boingboing.net, submitted by THEBLUEONE)

Source: The New York Times blogs
Written by Errol Morris

As almost everyone knows by now, various major daily newspaper published, on July 10, a photograph of four Iranian missiles streaking heavenward; then Little Green Footballs (significantly, a blog and not a daily newspaper) provided evidence that the photograph had been faked. Later, many of those same papers published a Whitman’s sampler of retractions and apologies. For me it raised a series of questions about images.[1] Do they provide illustration of a text or an idea of evidence of some underlying reality or both? And if they are evidence, don’t we have to know that the evidence is reliable, that it can be trusted?

Jul 10, 2008

In an Iranian Image, a Missile Too Many

Source: The New York Times

Written by Mike Nizza and Patrick Witty

The image that Agence France-Presse obtained from Sepah News on Wednesday.

As news spread across the world of Iran’s provocative missile tests, so did an image of four missiles heading skyward in unison. Unfortunately, it appeared to contain one too many missiles, a point that had not emerged before the photo appeared on the front pages of The Los Angeles Times, The Financial Times, The Chicago Tribune and several other newspapers as well as on BBC News, MSNBC, Yahoo! News, NYTimes.com and many other major news Web sites.

Another image that The Associated Press received from the same source on Thursday.

Agence France-Presse said that it obtained the image from the Web site of Sepah News, the media arm of the Iranian Revolutionary Guards, on Wednesday. But there was no sign of it there later in the day. Today, The Associated Press distributed what appeared to be a nearly identical photo from the same source, but without the fourth missile.

Read entire story

Editor’s Note: Even from the small images above, it’s obvious to anybody who knows anything about digital imaging, that the image has been altered. Aside from the cloned clouds of dust, the sky surrounding the 4th missile obviously doesn’t blend naturally. Clearly Sepah News service doesn’t employ the best Photoshop artists…file this one under OOOPS!  

 

Feb 18, 2008

Photographer Says ‘Sorry’ For Faking Tibetan Antelope Picture

20080216_12.jpg

Source: Bermama.com
BEIJING, Feb 18 (Bernama) — An award-winning photographer in Tibetan antelope protection has apologised to the public for a picture he faked showing more than 20 of the animals roaming peacefully under a railway bridge where a train was passing, Xinhua news agency reported Monday.

Nov 8, 2006

UPDIG Releases Version 2.0 Guidelines

The Universal Photographic Digital Imaging Guidlines (UPDIG) working group has announced the release of version 2.0 of their guidelines for the delivery of digital photographs.

Aug 8, 2006

News photography and Photoshop

Source: blogs.Reuters.com
Written by Gary Hershorn, News Pictures Editor for North America

News photographers routinely process images using Adobe Photoshop software. But there has been a basic premise in the world of photojournalism that what was allowed in making prints in the pre-digital days of darkrooms is all that is acceptable today.

Aug 7, 2006

Reuters withdraws all photos by freelancer

Source: Reuters via Yahoo News
LONDON (Reuters) – Reuters withdrew all 920 photographs by a freelance Lebanese photographer from its database on Monday after an urgent review of his work showed he had altered two images from the conflict between Israel and the armed group Hizbollah.

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Altered image on left, original on right

Jul 24, 2006

Taking more than candy?

Jill Greenberg’s photo technique has Internet bloggers up in arms.

Source: Los Angeles Times Calendar Live
By Steven Barrie-Anthony, Times Staff Writer

Steal a toddler’s lollipop and he’s bound to start bawling, was photographer Jill Greenberg‘s thinking. So that’s just what Greenberg did to illicit tears from the 27 or so 2- and 3-year-olds featured in her latest exhibition, “End Times“, recently at the Paul Kopeikin Gallery in Los Angeles. The children’s cherubic faces, illuminated against a blue-white studio backdrop, suggest abject betrayal far beyond the loss of a Tootsie Pop; sometimes tears spill onto naked shoulders and bellies.

May 1, 2006

National Parks To Start Charging Photographers “Location Fees”

Source: National Press Photographers Association (NPPA)
Written By William Campbell

LIVINGSTON, MT (April 20, 2006) – The National Park Service, a branch of the U.S. Department of the Interior, has published new rules authorizing the NPS to begin collecting location fees for video, film, and commercial still photography projects. The new regulations appeared in the Federal Register (Vol. 71, Number 71) published April 13, 2006, and will take effect on May 15, 2006.

Apr 25, 2006

OpenRAW Releases Initial Results of 2006 RAW Survey

OpenRAW Releases Initial Results of 2006 RAW Survey – Over 19,000 Photographers and Imaging Professionals Provide Data on their Experiences, Preferences, and Concerns regarding RAW Imaging Technology

Will the digital camera you buy tomorrow fairly serve the future of photography? Are today’s camera manufacturers making decisions that may adversely affect the preservation of photographic works for future generations? More than 19,000 digital photographers and preservationists from around the world have now weighed in with opinions on RAW imaging technology, a concept that many compare to a “digital negative.”

Mar 9, 2006

Urgent Call for Your Action on Orphan Works

From ASMP

The problem
The U.S. Copyright Office issued its report on Orphan Works only a couple of weeks ago. The end of that report contained proposed language for an amendment to the Copyright Act. That proposal is now being fast-tracked in Washington with a good chance of passage before the end of this Session. In my opinion, if that language is enacted in its current form, it will be the worst thing that has happened to independent photographers and other independent visual artists since Work Made for Hire contracts.

Mar 9, 2006

PPA Calls for Changes in Orphan Works Proposal

Press Release from PPA

The Copyright Office has suggested legislation that, in its current form, could have a devastating impact on the professional photographers. The proposal would limit, or in some cases eliminate, the damages available against an infringer of an orphan work. An orphan work is a work presumed to have copyright protection, but whose owner cannot be located even after a reasonably diligent search conducted in good faith.

Mar 9, 2006

Photographer trade groups alarmed by “orphan works” U.S. copyright proposals

Source: RobGalbraith.com
Written by Eamon Hickey

A number of trade groups that represent photographers have recently raised the alarm about proposed changes to U.S. copyright law that address so-called orphan works – works whose copyright holders cannot be located.

Jan 24, 2006

It May Look Authentic; Here’s How to Tell It Isn’t

Soucre: The New York Times
Written by Nicholas Wade

Among the many temptations of the digital age, photo-manipulation has proved particularly troublesome for science, and scientific journals are beginning to respond.

Jan 19, 2006

InfoTrend Predicts Digital Cameras Domination

Major InfoTrends Study Indicates Digital Cameras Will Dominate Professional Photography Market by 2010 90% of professional pictures will be taken with digital cameras by 2010

Press Release: (Weymouth, MA) capv_convert_date(’20060117′) January, 17 2006… InfoTrends, the leading worldwide digital imaging and document solutions research and consulting firm, is pleased to announce the release of its highly anticipated multi-client study, North American Professional Photography Market (http://www.capv.com/home/Multiclient/ProPhotography.html) .

Jan 19, 2006

Konica Minolta abandons cameras, film

Konica Minolta Holdings will withdraw from the camera and film businesses, marking the end to one of the best known brands in the photography world.

Source: CNET via Reuters

As part of the surprise move, the Tokyo-based company said Thursday it will sell a portion of its digital single lens reflex (SLR) camera assets to Sony for an undisclosed sum and cease production of compact cameras by March of this year.

Dec 26, 2005

Shadow Dancing-Shedding light on old photos

Source: Phoenix New Times
Written By Leanne Potts

“Keeping Shadows: Photography From the Worcester Museum of Art” Photos lie. You knew that.

What you probably didn’t know is that photos were lying more than a century before Photoshop became a verb. Photographers were mucking with their images way back in the 19th century when the medium was still young, painting or scratching out pesky objects and faces they didn’t want in their image.

Nov 7, 2005

THE VISION THING:

Navigating the Slippery Slope of Digital Manipulation With Eyes Wide Shut

Source: The Digital Journalist
Written By Robert Trippett

The moment a photojournalist releases the shutter a sacred threshold is crossed. The instant after the shutter blinks open and closes, whether it is for a thousandth-of-a-second to freeze the impact of a baseball bat on a ball, or several hours to soak up the faint glow of a passing comet, the door also shuts for a photojournalist to manipulate that captured representation of reality. Any technical choices made before that moment – whether a choice of cameras, light, lenses, filters, exposure settings, or simply where to stand – are generally accepted as tools for achieving the photographer’s vision. Any digital post-processing beyond the accepted darkroom techniques of yore, such as burning or dodging, are usually considered a prohibited manipulation of that sacrosanct moment of exposure.

Oct 17, 2005

CCD failures: More to the story?

By Michael R. Tomkins, The Imaging Resource

Since last week when we published our coverage of the CCD sensor failures disclosed by several digital camera manufacturers, the story has continued to develop.

Jul 14, 2005

ASMP’s position on proprietary RAW formats

The American Society of Media Photographers (ASMP) is deeply concerned at the developing crisis that is threatening continued access to the world’s photographic heritage.

Jul 1, 2005

Digital Picture of Britain competition

From dpreview.com comes a story about a new BBC TV series called A Digital Picture of Britain presented by pro photographer Tom Ang. (See original story) On the surface it may seem like a reasonable premise but the show and its web site is also running a photo competition that has raised the ire of British professional photographic community.

Jun 30, 2005

Power Plays: The Phenomenon of Vendor Lock-in

Source: OS News
Written By David Adams

While note directly related to Photoshop, the concept of Vendor Lock-in may ring a bell when trying to understand why the camera manufacturers seem to be so reluctant to let go of proprietary and undocumented file formats. Interesting reading on that basis.

Jun 28, 2005

Creative Community Praises Supreme Court Decision In Grokster Case

Source: Directors Guild of America (DGA)

The following is a joint statement from the preeminent entertainment unions – American Federation of Musicians, American Federation of Television and Radio Artists, Directors Guild of America, Screen Actors Guild, and Writers Guild of America, west – on today’s Supreme Court ruling.