PhotoshopNews » Books http://photoshopnews.com The latest news about the top pixel wrangling application on the planet. Sun, 17 Jul 2011 17:19:47 +0000 en-US hourly 1 http://wordpress.org/?v=3.5.1 Refine Edge hair masking in Photoshop CS5 http://photoshopnews.com/2010/04/30/refine-edge-hair-masking-in-photoshop-cs5/ http://photoshopnews.com/2010/04/30/refine-edge-hair-masking-in-photoshop-cs5/#comments Sat, 01 May 2010 04:56:59 +0000 Martin Evening http://photoshopnews.com/?p=3140 refineedge-sharp

Photoshop CS5 now offers the ability to successfully make cut-out masks of complex subjects against busy backgrounds. This isn’t something new as there are a number of third-party plug-ins that have been able to do this type of masking, but this is the first time Photoshop has provided an effective, built-in solution. OK, there was the Extract command (which no longer ships with Photoshop), but this method, using the new improved Refine Edge command works much better. Click here to view the movie.

Read more…

The main reason why the Refine Edge works as well as it does is down to the new ‘Truer Edge™’ algorithm that is employed in the Edge Detection section. As you can see in the movie, by using a basic quick selection to isolate the subject and using the Radius slider and Smart Radius in the Refine Mask dialog, these steps alone can get you pretty close to achieving a successful cut-out mask. The remaining tools allow you to fine-tune these initial results.

Adobe Photoshop CS5 for Photographers (Focal Press).
ISBN: 0780240522005
This extract was taken from Adobe Photoshop CS5 for Photographers (where you can access other sample movies about Photoshop CS5). This latest update in the Adobe Photoshop for Photographers series contains 768 pages in full color, plus a DVD containing video tutorials. The book layout has been further improved to make navigation easier and contains updated advice on everything you need to know about using Photoshop, from digital capture to print output, as well as all that is new in Adobe Photoshop CS5.

9780240521251

The title will be stocked in most major bookstores throughout the world and also available to purchase from:
www.focalpress.com as well as through the on-line bookstores: www.amazon.com and www.amazon.co.uk.

The Adobe Photoshop CS5 for Photographers book is expected to start shipping after mid-May 2010.

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Removing sensor marks in Photoshop CS5 http://photoshopnews.com/2010/04/13/removing-sensor-marks-in-photoshop-cs5/ http://photoshopnews.com/2010/04/13/removing-sensor-marks-in-photoshop-cs5/#comments Tue, 13 Apr 2010 17:05:15 +0000 Martin Evening http://photoshopnews.com/?p=3119 Divide-before-low divide-after-low

Photoshop CS5 was announced this week and we have seen a wealth of new features for photographers, more so than any other version of Photoshop I can think of. By now you may already have had a chance to see some of the star new features in action such as Content-Aware filling, Puppet Warp and the new Merge to HDR Pro. Tucked away in Photoshop CS5 are a bunch of other smaller features, which nevertheless can be put to good use. In this article I wanted to focus on the new Divide blend mode. It took me a while to work out what it could be useful for, until Chris Cox who helped point me in the right direction by explaining that it could be useful for carrying out what is usually referred to as a ‘flat field calibration’. In other words, you could use the Divide blend mode to remove lens vignetting and stubborn sensor spots.

Read more…

Some specialist digital capture systems, such as those used in astronomy and microscopy already offer their own software solutions to achieve this kind of sensor clean-up processing. However, with the new Divide blend mode you can carry out flat field calibrations for any type of digital camera system. Be warned that this is a tricky technique to get right. This method may in some circumstances help you cut down on the time spent retouching, providing you are able to capture a valid flat field calibration image close to the time when the other photos were shot.

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1 The first step was to capture an image of an evenly lit white surface, exposed so that the center was 100% white. The key thing was to make sure the illumination was even and defocus the camera so as not to pick up any subject texture. It was also important to capture this image at the same aperture as I was going to shoot with since this would affect the definition of the sensor dust picked up by the camera. Since the high-end display I work with has uniform brightness, I got good results by photographing the computer display with a white desktop. I shot at a low ISO setting to keep the noise to a minimum. I also bracketed the exposures so that I had the opportunity to choose the most suitable image – one that was bright enough to apply a Divide blend mode calibration and required minimal further image adjustments to the brightness.

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2 Shown here is the original image before adding the calibration layer in Divide blend mode.

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3 I placed the flat field calibration layer above the background layer of an image shot with the same camera at the same lens aperture and set the blend mode to ‘Divide’ at 100%.

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4 Here you can see the modified version where the divide blend mode calibration layer canceled out the lens vignetting and all the sensor spots. The net result was a modified image in which the added layer canceled out the sensor marks that were present in the original and removed any lens vignetting.

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5 However, it was important to fine-tune the brightness of this layer using a clipping Curves layer so that the calibration layer in Divide mode precisely canceled out the sensor marks on the layer below. Once I had got the adjustment right for this image. the same setting could be used on other subsequent photos.

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6 One of the reasons I chose to include this technique was to show what the new Divide blend mode could be useful for. In all honesty, I think the easiest approach would be to use the Camera Raw Lens Corrections adjustments to take care of the vignetting and use the remove spots tool in Camera Raw to remove the dust marks and synchronize the spotting adjustments across all the other affected photos. This could certainly work well for an image like the one shown here. On the other hand, if you have a problem with a particularly dusty sensor or the dust marks fall on top of areas where it would be tricky to retouch, the flat field calibration technique might just save the day. As you can see in the close-up views shown here, I was able to do a good job of removing most of the spots. However, I was only able to partially remove the big dust mark in the top left corner. It would have been unrealistic to have expected a better result than this for such a large sensor mark.

Adobe Photoshop CS5 for Photographers (Focal Press).
ISBN: 0780240522005
This extract was taken from Adobe Photoshop CS5 for Photographers. This latest update in the Adobe Photoshop for Photographers series will contain 768 pages in full color, plus a DVD containing video tutorials. The book layout has been further improved to make navigation easier and contains updated advice on everything you need to know about using Photoshop, from digital capture to print output, as well as all that is new in Adobe Photoshop CS5.

9780240521251

The title will be stocked in most major bookstores throughout the world and also available to purchase from:
www.focalpress.com as well as through the on-line bookstores: www.amazon.com and www.amazon.co.uk.

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Perspective correction for Camera Raw images http://photoshopnews.com/2009/05/06/perspective-correction-for-camera-raw-images/ http://photoshopnews.com/2009/05/06/perspective-correction-for-camera-raw-images/#comments Wed, 06 May 2009 06:59:47 +0000 Martin Evening http://photoshopnews.com/?p=3058 acr-perspective1
Click to view movie

This movie extract is from  Adobe Photoshop CS4 for Photographers: The Ultimate Workshop.

One of the top requests for Camera Raw and Lightroom has been to include perspective corrections, so that users can apply perspective corrections to raw images. It so happens there is already a method in Camera Raw and Photoshop that will allow you to correct the perspective of a raw photograph while keeping the image in its original raw file state. This isn’t exactly a hidden feature in Camera Raw, but this movie does demonstrate a workaround for correcting perspective of raw files while keeping them fully editable in Camera Raw. Here’s how it can be done.

Please note this video is in Quicktime format. A player can be downloaded from apple.com.

This movie extract is a smaller version of the one found on the DVD disc that comes with  Adobe Photoshop CS4 for Photographers: The Ultimate Workshop, jointly authored by Martin Evening and Jeff Schewe. The book is published by Focal Press and contains 400 pages of tutorials and tips on how to achieve the best results out of Camera Raw and Photoshop. You can also find out more about the book by visiting the Photoshop for Photographers website where you can preview more of the content that will be appearing in this book.

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Photoshop weightloss http://photoshopnews.com/2009/04/20/photoshop-weightloss/ http://photoshopnews.com/2009/04/20/photoshop-weightloss/#comments Mon, 20 Apr 2009 16:23:05 +0000 Jeff Schewe http://photoshopnews.com/?p=3040 weightloss
Click here to view movie

This movie extract is from  Adobe Photoshop CS4 for Photographers: The Ultimate Workshop.

You know how the camera always seems to add 10 lbs.? You can shave those extra pounds away using Photoshop. This demo shows two methods of making people look thinner. And, if you do it with subtlety, you’ll never know that is was Photoshop that took those extra pounds off–and your clients will think you are a genius!

Please note this video is in Quicktime format. A player can be downloaded from apple.com.

This movie extract can be found on the DVD disc that comes with  Adobe Photoshop CS4 for Photographers: The Ultimate Workshop, jointly authored by Martin Evening and Jeff Schewe. The book is published by Focal Press and contains 400 pages of tutorials and tips on how to achieve the best results out of Camera Raw and Photoshop. You can also find out more about the book by visiting the Photoshop for Photographers website where you can preview more of the content that will be appearing in this book.

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One way to retouch loose hairs http://photoshopnews.com/2009/04/05/how-to-retouch-loose-hairs/ http://photoshopnews.com/2009/04/05/how-to-retouch-loose-hairs/#comments Sun, 05 Apr 2009 16:34:54 +0000 Martin Evening http://photoshopnews.com/?p=2998 remove-loosehair-poster
Click here to view movie

This movie extract is from  Adobe Photoshop CS4 for Photographers: The Ultimate Workshop.

Here is an interesting challenge that I was presented with recently. I shot the model shown above for an advertising job and was asked by the client to make sure that the skin tone and nails looked flawless. After they had seen the initial retouch work they also asked if I could clean up the hair outline. At first it looked like this would be impossible to achieve. After all, how on earth can one use the clone stamp or healing brush to tidy up the fine hair strands against a background which consisted of a busy wallpaper pattern? As it turned out, the solution to this problem was staring me in the face!

Please note this video is in Quicktime format. A player can be downloaded from apple.com.

This movie extract is a smaller version of the one found on the DVD disc that comes with  Adobe Photoshop CS4 for Photographers: The Ultimate Workshop (now on sale), jointly authored by Martin Evening and Jeff Schewe. The book is published by Focal Press and contains 400 pages of tutorials and tips on how to achieve the best results out of Camera Raw and Photoshop. You can also find out more about the book by visiting the Photoshop for Photographers website where you can preview more of the content that will be appearing in this book.

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Advanced color to black and white conversion http://photoshopnews.com/2009/03/19/advanced-color-to-black-and-white-conversion/ http://photoshopnews.com/2009/03/19/advanced-color-to-black-and-white-conversion/#comments Thu, 19 Mar 2009 21:56:59 +0000 Jeff Schewe http://photoshopnews.com/?p=3014 color-bw
Click to view movie

Yep, there are already a lot of ways to convert a color image to grayscale in Photoshop or Camera Raw. But all of them except this technique mean your image is converted as a global correction. Using color channels as grayscale layers means you can use layer masks to alter the grayscale conversion and allows you to optimize for the best possible result. The technique allows shows how to re-convert your grayscale image back to a color image for the purposes of color toning.

Please note this video is in Quicktime format. A player can be downloaded from apple.com.

This movie extract can be found on the DVD disc that comes with  Adobe Photoshop CS4 for Photographers: The Ultimate Workshop, jointly authored by Martin Evening and Jeff Schewe. The book is published by Focal Press and contains 400 pages of tutorials and tips on how to achieve the best results out of Camera Raw and Photoshop. You can also find out more about the book by visiting the Photoshop for Photographers website where you can preview more of the content that will be appearing in this book.

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The ‘Ultimate Workshop’ book shoot http://photoshopnews.com/2009/02/26/the-ultimate-workshop-book-shoot/ http://photoshopnews.com/2009/02/26/the-ultimate-workshop-book-shoot/#comments Thu, 26 Feb 2009 18:36:42 +0000 Martin Evening http://photoshopnews.com/?p=2879 fan-003983-smsoup-004103-copy

This is a story about how Jeff Schewe and Martin Evening got together in Chicago last year to shoot a set of pictures especially for our new joint book ‘Adobe Photoshop CS4 for Photographers: The Ultimate Workshop‘.

The title is kind of self-explanatory. This is a brand new book in the Photoshop for Photographers series (published by Focal Press) and forms a masterclass type experience with two leading Photoshop experts. It’s a book aimed at intermediate to advanced-level users and assumes that the reader is already pretty familiar with the Photoshop interface and basic tools and there is therefore no need to have to explain the basics all over again plus color management etc. You can already find all that information in the main Adobe Photoshop CS4 for Photographers book. This new title contains 400 pages of Photoshop techniques shown in step-by-step tutorial form.

We like to think that what will set this book apart from most other books is that we both have a lot of professional shooting experience int he studio and on location. Many of the photographs that are used in the tutorials were specially shot with the book in mind and we can sometimes go into more detail about the shooting techniques used with side panel images that also show the lighting setups. Over the next few months we’ll also be publishing a series of Movie tutorials from the DVD. These will feature techniques that are described in the book. So watch out for these coming soon on Photoshop-news.com.

Appropriately enough we began with an early morning shoot to photograph the Chicago city skyline at sunrise. We loaded up the car and headed off to a pier on the south side.

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For Jeff,  a multi-shot Starbucks coffee is essential to get the day rolling (especially after getting up at the crack of dawn).

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Here is a shot of me lining up a series of shots with a view to creating a single  Photomerge panorama of the cityscape view.

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We were also joined by a keen photographer who was shooting the traditional way using a 5×4 plate camera with dead cow material to record his pictures.

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That’s either a disapproving look or me trying to deal with brand new digital technology that doesn’t always behave itself either (especially when it’s early in the morning).

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Here is one of the panorama shots that we ended up producing. We initially thought this might be a good picture to demonstrate the content aware scaling tool with, except the content aware scaling didn’t really suit working with a photo such as this (hey, it had only been available for us to play with for a few weeks at this point – we have to learn too).

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Later during that week I made this panorama at night from more or less the same spot. Even this shot didn’t make it into the ‘Ultimate Workshop’ book, but at 10,000 x 4,000 pixels its a useful image to demo the fast GPU scrolling and panning in Photoshop CS4.

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A little later that morning we headed into the center of Chicago, where I photographed this building tower that was nearing completion.

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This was a useful image with which to demo how to use the Vanishing Point tool in Photoshop. Here is the end result image that appears in the book.

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Time to move on to the next location. Boy, it soon get’s hot in July in Chicago.

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Jeff thought it would be fun to get a high viewpoint capture of the building seen in the background, seen from the inside lane of the road that passes on the other side. Question was, who’d take the shots and who’d drive the car. Jeff did try to see if he would fit through the roof (I wish I had photos of him trying ME). So  it was down to me to capture the shot.

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It really wasn’t such a wise idea in the end and yet again we had to accept that this particular idea wasn’t going to work. Well, at least we tried and you can’t expect every idea to yield results, but the day wasn’t over yet.

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Later that day we returned to the center to take a series of photos of the Anish Kapoor sculpture in Millennium park, popularly known as ‘The Bean’ (you’ll see a similar giant sculpture outside the Rockerfeller Center in New York). Now, we did photograph this scene earlier in the morning when there were no people about, but we also wanted to show how you can do this the hard way when there are lots of tourists passing through a busy location like this.

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Jeff and I set up a Canon EOS 1Ds MkIII camera on a tripod and between them shot more than 100 exposures over a period of an hour. img_6214

Here is the end result in which we blended the 100+ photos together using the Median Stack blending mode. Interestingly, we were spotted by a young Dutch photographer who was intrigued by our technique. We explained the basic steps and were quite amazed to be emailed a photo later where he had managed to achieve a pretty similar result from no more than a handful of hand-held exposures.

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Millennium Park is a great location and we particularly wanted to get a shot of the Pritzker Pavillion. The shot below was used to later demo adding the Lens Flare filter.

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And so, back to Jeff’s Studio in West Willow Street. One of the shots Jeff wanted to do was to photograph a complicated subject such as the electric fan shown here and use a silhouette exposure as a simple shortcut for making a mask. You’ll notice that we used a Phase One back for all the following studio shots with Capture One software running on a Mac laptop.

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Jeff needed to light the background so that he could fire these lights only to capture the silhouette exposure.

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This shows a shot taken without the background lights switched on.

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And here is the final image in which Jeff shows how to use the mask created by the silhouette exposure to blend with a completely new backdrop image.

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One thing we discovered early on is that medium format digital backs can get awfully dusty. Fortunately, Doug Sperling from ProGear was on hand to clean the sensor for us.

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Another shot we wanted to create was one of a glass of water with droplets on it to give the impression that the water was really cold

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Fake ice cubes were used in the glass and Jeff then sprayed the glass using a mixture of glycerine and water to add the water droplets.

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There is quite an art to getting these to look right

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Here is the finished result and in the book you’ll be able to read how to create a combination of a custom brush setting plus layer effect style to add realistic looking water drops to this picture.

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Another shot we had on the list was to do a food shot which we would shoot using a normal stopped down exposure, but then show how to apply a selective focus effect to the image using the Lens Blur filter in Photoshop. Here is the lighting setup used.

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And a closeup view of the table top setting before we added all the ingredients.

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Becky (Jeff’s wife) and I did the shopping and I prepared the noodles and stir fry dish.

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Meanwhile, Jeff made some final adjustments to the lighting setup…

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And Becky helped dress the set and apply the finishing touches.

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Here is the final image that appears in the book, showing the shallow focus effect.

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Jeff did some pretty unmentionable things to the food to get the steam effect you see in this shot. Basically it was inedible by the time he was done. Fortunately there was enough untouched ingredients left over for us to enjoy a well-deserved light lunch.

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This next setup was designed so as to capture  a series of bracketed focus shots. Jeff carefully lit the diamond ring you can just about make out in front of the camera lens. Note how the body was positioned on a Sinar monorail mount so that focusing could be done by moving the whole camera backward or forward).

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Originally we meant this to be used to demo the ability to Auto blend layers and acheieve maximum depth of field. Indeed that technique was applied successfully here, but in the end Martin used this shot to demo how to create a custom sparkle brush shape and add sparkle reflections to the image.ring-merged

Lastly, we come to the Wine pour shot. This one was Jeff’s baby, as Jeff really wanted to do a photo of wine being poured into a glass and create a composite of the best wine pour exposures. In the set shown here, Jeff had a wine bottle with the bottom removed clamped in position and with a suitable wine glass also clamped below.

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The trick here was to use an infrared trigger setup to detect where the wine started to break the beam and then experiment with a few pours of water at first and adjust the time delay to trigger the flash at the correct point to capture the optimum wine splash in the glass. By also varying the delay setting it was possible to accurately capture a good range of wine pour steps from when the wine had just left the bottle to a late-stage pour.

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After a few tests Jeff was ready to start shooting. Once real wine was used the wine glass had to be replaced and the dribbles dried off from the neck of the bottle.

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Here is a snap taken of the laptop showing one of the individual wine pours that Jeff captured.

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And here below is the final image that appears in the book. This is a composite photograph that is a blend of several of the best shots. The wine used in the photography wasn’t the expensive stuff. Jeff consulted with his photographer friend and wine connoisseur Greg Gorman to adjust the wine colour to make it look like a typical Pinot Noir.

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That rounds up the story of how we both shot some of the photographs that will appear in the forthcoming Adobe Photoshop CS4 for Photographers: The Ultimate Workshop, 400 pages, published by Focal Press. The book is due to be released in March and should be on sale very soon in the US and later in other countries. We can say that with some confidence because the books have already been printed and were bound this Monday. You can also find out more about the book by visiting the Photoshop for Photographers website where you can preview more of the content that will be appearing in this book.

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Book II is now done… http://photoshopnews.com/2008/12/23/book-ii-is-now-done/ http://photoshopnews.com/2008/12/23/book-ii-is-now-done/#comments Tue, 23 Dec 2008 18:20:47 +0000 Jeff Schewe http://photoshopnews.com/?p=2834 The second on my two book odyssey is completed…and the first book is now shipping! Whew, I wasn’t sure I would ever get to say that. 

The image above is one of the images from the new book Adobe Photoshop CS4 for Photographers: The Ultimate Workshop which is due to be released in March 2009.

Coauthored with good friend and colleague Martin Evening, we’ve taken the unusual approach of actually shooting interesting stuff specifically for the book–kinda like it was a real assignment. We think it’s a bit of a departure in Photoshop books that talks at length about many of the photographic as well as Photoshop aspects that go into creating neat images.

So, you might think I can now take a rest? Well, for a day or so (I still have to do my Xmas shopping) but shortly after the beginning of the new year, It’s off to Antarctica for trip three with the crew of Michael Reichmann, JP Canponigro, Stephan Johnson, Seth Resnick and Chris Sanderson to record the trip for posterity…so it looks like most of the month of January is shot too. Then it’s back on the road for the Epson Print Academy in Seattle on January 31st.

Oh well, it’s all great fun (don’t you know) even if it a bit draining. So, here’s to the end of 2008 and the start of 2009 and wishing you all the best for the holidays…

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Peachpit Releases Lessons in DSLR Workflow with Lightroom and Photoshop http://photoshopnews.com/2008/08/27/peachpit-releases-lessons-in-dslr-workflow-with-lightroom-and-photoshop/ http://photoshopnews.com/2008/08/27/peachpit-releases-lessons-in-dslr-workflow-with-lightroom-and-photoshop/#comments Wed, 27 Aug 2008 16:09:22 +0000 PSN Editorial Staff http://photoshopnews.com/?p=2745

Press Release: BERKELEY, CALIF. (Aug. 25, 2008)— Peachpit today announced the publication of Lessons in DSLR Workflow with Lightroom and Photoshop , by seasoned photographer Jerry Courvoisier. This detailed guide, loaded with tips and techniques, delivers a digital single-lens reflex (DSLR) camera workflow that allows readers to spend less time at their computer and more time behind the camera capturing great images. 

Jerry Courvoisier provides an easy-to-follow road map for importing, organizing, and editing images using the best features of Adobe Photoshop Lightroom 2 and Adobe Photoshop CS3. The combined power of using both programs—automation with Lightroom and specialized processing in Photoshop—offers a complete and flexible solution for serious hobbyists and pro photographers alike. 
 
Joe McNally, photographer and author of The Moment It Clicks, said, “Jerry Courvoisier is, plain and simple, one of the best teachers of digital workflow and image management working today. He demystifies the digital world for both the beginner and the advanced user. For anyone shooting digital pictures, this book simply has to be on your shelf.”
 
Lessons in DSLR Workflow with Lightroom and Photoshop is now available at Peachpit.com , Amazon.com , and as an ebook via Safari Books Online . For more information, please visit: 
 
About The Author
Jerry Courvoisier  has directed the Santa Fe Photographic Workshops’ digital program for 14 years, building one of the most respected digital educational programs in the world. At Santa Fe, he developed the popular “intensive” format experience. These workshops in photography, Lightroom, Photoshop, and printmaking are packed with information that challenges participants to move beyond their comfort zone, pushing their creativity and vision. Jerry works with the National Geographic Photography Expeditions series and his teaching and consulting journeys have taken him to the U.K., Italy, France, Germany, and Australia. 
 
About Peachpit
Berkeley-based Peachpit has been publishing the industry’s best-selling books on the latest in graphic design, desktop publishing, multimedia, Web design and development, digital video, and general Macintosh computing since 1986. Its award-winning books feature step-by-step explanations, time-saving techniques, savvy insider tips, and expert advice for computer users of all sorts. It is the home of the internationally recognized Visual QuickStart Guide series, the design imprint New Riders and its highly popular Voices That Matter series, and is the publishing partner for Adobe Press, lynda.com, Kelby Training/NAPP , Apple Certified, AIGA Design Press  and others. Peachpit is part of Pearson  , the international media company. Pearson’s primary operations also include the Financial Times Group and the Penguin Group. 

 

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Scott Kelby Offers Today’s Lightroom 2 Book Sales to Orphanage in Kenya http://photoshopnews.com/2008/08/25/scott-kelby-offers-todays-lightroom-2-book-sales-to-orphanage-in-kenya/ http://photoshopnews.com/2008/08/25/scott-kelby-offers-todays-lightroom-2-book-sales-to-orphanage-in-kenya/#comments Mon, 25 Aug 2008 17:08:27 +0000 PSN Editorial Staff http://photoshopnews.com/?p=2739 On Scott’s blog, Photoshop Insider, Scott has announced that all the book sales of his new Lightroom 2 book for Digital Photographers from today will be donated to the Spring of Hope organization that runs is building a care center for orphans in Kenya.

Now Scott isn’t just donating a portion of the proceeds, he’s donating the entire purchase price of all Lightroom 2 books sold today. Here’s a link to the story and a link to purchase the book from Kelby Training.

IMPORTANT: This opportunity to help out is available only today, Monday August 25th, 2008. Scott’s book is scheduled for delivery in early September. Not available with any other discounts. As always, Shipping & Handing is extra.

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JP Caponigro Self-Publishes Antarctica Book http://photoshopnews.com/2008/08/05/jp-caponigro-self-publishes-antarctica-book/ http://photoshopnews.com/2008/08/05/jp-caponigro-self-publishes-antarctica-book/#comments Tue, 05 Aug 2008 19:00:07 +0000 PSN Editorial Staff http://photoshopnews.com/?p=2720

John Paul Caponigro (JP to his friends) has self-published a new book, ANTARCTICA drawn from his two photographic expeditions to, well, Antarctica.

The book has been published via Blurb, and online print on demand service. The printing is said to be equal to that of a traditionally published book. The page count is 64 and the size is 8×10 inches. The book sells for 34.95 for softcover and 49.95 for hardcover. Additional information can be found on JP’s blog.

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Peachpit Releases New Scientific Imaging with Photoshop Book http://photoshopnews.com/2008/07/11/peachpit-releases-new-scientific-imaging-with-photoshop-book/ http://photoshopnews.com/2008/07/11/peachpit-releases-new-scientific-imaging-with-photoshop-book/#comments Fri, 11 Jul 2008 21:32:56 +0000 PSN Editorial Staff http://photoshopnews.com/?p=2693

Scientific Imaging with Photoshop: Methods, Measurement, and Output by Jerry Sedgewick

Book Description

Adobe Photoshop is one of the more powerful tools available to scientists today. It is indispensable in the preparation of digital images of specimens for measurement, especially for separating relevant features from background detail. Scientific Imaging with Photoshop is the authoritative guide to the use of Photoshop in scientific research, with a special emphasis on the ethical ramifications of the use of image-enhancement software to extract data from digital images. Beginning Photoshop users will benefit from its tutorials in the basics of image processing, and more sophisticated users will appreciate the sections on automating Photoshop operations with actions. In addition, the book lays out procedures in straightforward language for acquiring digital images as well as outputting processed images in digital and hard-copy formats.

Scientific Imaging with Photoshop provides all this and more:
• Little-known methods separating features of interest from the background for subsequent quantification
• How to make dense colors and subtle visual detail reproduce properly in publication
• Correct Photoshop methods and techniques for all user levels
• Procedures that are usable in legacy versions of Photoshop as well as Photoshop Elements and Photoshop Extended

About the Author

Jerry Sedgewick has been the director for the Biomedical Image Processing Lab at the University of Minnesota for over 10 years. The lab is a light microscopy core facility serving scientists and engineers at the University and in local industry. Jerry works side-by-side with members of the research community on a daily basis.  He has co-authored articles in numerous publications, including Science (for which he has created two covers) and Circulation, and he is the author of Quick Photoshop for Research: A Guide to Digital Imaging for Photoshop 5x, 6x and 7x.

Product Details

Paperback: 312 pages
Publisher: New Riders Press; 1 edition (June 2, 2008)
Language: English
ISBN-10: 0321514335
ISBN-13: 978-0321514332
Product Dimensions: 9.3 x 7.4 x 0.7 inches

 

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Mac OS X for Photographers by Rod Wynne-Powell http://photoshopnews.com/2008/03/19/mac-os-x-for-photographers-by-rod-wynne-powell/ http://photoshopnews.com/2008/03/19/mac-os-x-for-photographers-by-rod-wynne-powell/#comments Thu, 20 Mar 2008 00:09:45 +0000 PSN Editorial Staff http://photoshopnews.com/2008/03/19/mac-os-x-for-photographers-by-rod-wynne-powell/ macosx4photogs-1.jpgWith so many photographers using Macintosh computers, it was high time that someone should write a book that was specifically designed to help photographers understand better how the Macintosh OSX system works and how to troubleshoot some of the common problems photographers face.

Mac OS X for Photographers is written by Rod Wynne-Powell a UK based author and an acknowledged Mac and Photoshop expert.According to Rod, the book covers Tiger and some of Leopard as it relates to Photographers. Solving Photoshop and related Mac hardware and software problems is a crucial and urgent need in a working environment when things can and do go wrong.
Rod Wynne-Powell explains how the Mac operating system works and the pitfalls you are likely to fall into.He shows you how to get the best out of your system and improve efficiency. This is the only book on Macs specifically for photographers and digital image makers, written by a digital imaging consultant, trainer, photographer and Photoshop alpha tester who answers digital image makers’ Mac queries every day. Wynne-Powell speaks the same language as photographers.

* The only Mac OS X book written by a photographer and digital imaging expert specifically for the digital imaging industry

* Invaluable tips on trouble-shooting and running software on a Mac, clearly explained with full colour images and screen-grabs

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Photo: © Jeff Schewe 2008

Rod Wynne-Powell runs Solutions Photographic as a retoucher, trainer and consultant for digital photographers. He is an accomplished photographer and an alpha tester for Adobe Photoshop, and acts as technical checker for Martin Evenings Adobe Photoshop for Photographers, also published by Focal Press.

“A really useful book that explains how to escape from those inexplicable Mac conundrums and crashes and keep your Mac and Photoshop running sweetly.”
Adam Woolfitt, photographer and author, UK

“Please send me a copy as soon as the ink is dry!”
Katrin Eismann, author, educator and ‘Photoshop Diva’, USA

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New Book by Matt Kloskowski – Layers http://photoshopnews.com/2008/02/22/new-book-by-matt-kloskowski-layers/ http://photoshopnews.com/2008/02/22/new-book-by-matt-kloskowski-layers/#comments Fri, 22 Feb 2008 18:28:41 +0000 PSN Editorial Staff http://photoshopnews.com/2008/02/22/new-book-by-matt-kloskowski-layers/ layers.jpgPress Release: TAMPA, Fla.–(BUSINESS WIRE)–If you want to use Adobe Photoshop like a pro, then you have to master the Photoshop tool that the pros rely on most – Layers.

That’s the rationale behind Layers: The Complete Guide to Adobe Photoshop’s Most Powerful Feature – the latest book by world-class Photoshop instructor and author, Matt Kloskowski. Written in casual, easy-to-understand language, Layers shows Photoshop users of all skill levels the tips and techniques they not only need to succeed, but to excel.

Described by the author as, “the Photoshop book I wish had been around when I was learning Photoshop,” Layers covers such topics as working with and managing multiple layers, building multi-layer images, blending layers together, and layer masking in a clear, concise, fully-illustrated style that makes learning easy and fun. Additionally, the book delves into layers-based photo retouching and design techniques that save valuable time and produce stunning results.

Layers: The Complete Guide to Adobe Photoshop’s Most Powerful Feature is published by Peachpit Press and currently available on Amazon.com, Barnesandnoble.com, and on Kelbytraining.com. The cover price for the new book is $39.99.

Paperback: 288 pages
Publisher: Peachpit Press; 1 edition (February 22, 2008)
Language: English
ISBN-10: 0321534166
ISBN-13: 978-0321534163
Product Dimensions: 8.9 x 7.4 x 0.5 inches

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About Matt Kloskowski

Matt Kloskowski is a Photoshop guru whose books, videos, and classes have simplified the way thousands of people work on digital photos and images, and his clear and concise teaching style has made him one of the world’s top go-to guys for Photoshop training and education. He is one of the co-hosts of PhotoshopUser TV, the host of both the Adobe Photoshop CS3 Killer Tips and Adobe Lightroom® Killer Tips podcasts, and the author of numerous books, including the Photoshop CS2 Speed Clinic and the Photoshop Elements Retouching and Restoration Book.

Matt has built a massive portfolio of educational DVDs, online training courses, and magazine articles for Photoshop User magazine. Additionally, he is a full-time education and curriculum developer for the National Association of Photoshop Professionals, as well as an instructor at the world’s premier Photoshop event, Photoshop World, and other Photoshop and digital photography at workshops and conferences around the world.

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Kelby Once Again Top-Selling US Computer Book Author http://photoshopnews.com/2008/02/07/kelby-once-again-top-selling-us-computer-book-author/ http://photoshopnews.com/2008/02/07/kelby-once-again-top-selling-us-computer-book-author/#comments Thu, 07 Feb 2008 22:15:49 +0000 PSN Editorial Staff http://photoshopnews.com/2008/02/07/kelby-once-again-top-selling-us-computer-book-author/ Press Release: Berkeley, CA—February 6, 2008—For the fourth consecutive year, Peachpit author Scott Kelby has been recognized as the top-selling computer book author in the U.S. according to Nielsen BookScan data.

Kelby’s Peachpit titles continue to lead the pack with the number one iPod® book, The iPod Book: Doing Cool Stuff with the iPod and the iTunes Music Store, Fourth Edition; the number one digital photography book, The Digital Photography Book; and the number one Photoshop Lightroom book, The Adobe Photoshop Lightroom Book for Digital Photographers.

The Adobe Photoshop CS3 Book for Digital Photographers was recently honored with a Hot One Award from Professional Photographer magazine, and was the #4 pick among Amazon customers for 2007 computer and Internet books. The iPhone Book was also honored by Amazon editors as their best computer book of the year.

Kelby published a total of six titles in 2007.

“I would challenge anyone to find an author in any discipline, not just computer books, who is more loyal and committed to their readers’ satisfaction than Scott Kelby,” said Nancy Aldrich-Ruenzel, vice president of Pearson Technology Group. “He delivers what readers need and want time and time again: fresh techniques, fresh imagery, and a down-to-earth, conversational teaching style. He is incredibly deserving of this top spot in computer book publishing for the fourth year in a row—an amazing feat, and we are immensely proud to be Scott’s publishing partner.”

To view more of Kelby’s best-selling work, go to www.peachpit.com/ScottKelby.

About Scott Kelby
Scott Kelby is president of the National Association of Photoshop Professionals, a trade organization for Adobe Photoshop users with more than 70,000 members in over 100 countries worldwide. Additionally, Scott is Editor-in-Chief of both Photoshop User and Layers magazines. Scott serves as training director for the Adobe Photoshop Seminar Tour and is the technical chair of the Photoshop World Conference & Expo. In addition to the Down & Dirty Tricks and the Killer Tips book series, Scott is also the author of Scott Kelby’s 7-Point System for Adobe Photoshop CS3 and The Digital Photography Book. For more information, visit scottkelby.com and kelbytraining.com.

About Peachpit
Berkeley-based Peachpit has been publishing the industry’s best-selling books on the latest in graphic design, desktop publishing, multimedia, Web design and development, digital video and general Macintosh computing since 1986. Its award-winning books feature step-by-step explanations, time-saving techniques, savvy insider tips, and expert advice for computer users of all sorts. It is the home of the internationally recognized Visual QuickStart Guide series, the design imprint New Riders and its highly popular Voices That Matter series, and is the publishing partner for Adobe Press, lynda.com, NAPP, Apple Certified, AIGA Design Press and others. Peachpit is part of Pearson, the international media company. Pearson’s primary operations also include the Financial Times Group and the Penguin Group. Learn more at www.peachpit.com and www.pearson.com.

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The Creative Digital Darkroom http://photoshopnews.com/2008/01/22/the-creative-digital-darkroom/ http://photoshopnews.com/2008/01/22/the-creative-digital-darkroom/#comments Tue, 22 Jan 2008 18:38:20 +0000 PSN Editorial Staff http://photoshopnews.com/2008/01/22/the-creative-digital-darkroom/ 9780596100476_lrg.jpgThe Creative Digital Darkroom
By Katrin Eismann, Sean Duggan

This book takes photographers beyond the quick tips and gimmicky effects of many digital photography books. Author Katrin Eismann — an internationally acclaimed artist, bestselling author, and gifted educator — offers high-profile work, including her own, as examples for teaching photographers how to use the digital medium to create, edit, and output images that reflect their true vision.

Co-authored by photographer and teacher Sean Duggan, The Creative Digital Darkroom translates skills, concepts, and nomenclature of the traditional darkroom into digital solutions for photographers who sense that, despite the newness of the technologies at hand, there remains a timeless method for learning and practicing photography the right way.

This is not a Photoshop book per se, but it does focus on the photographic aspects of Photoshop, something other books claim to do but rarely have the discipline to accomplish.

The Creative Digital Darkroom includes:

  • Four sections that cover the black & white darkroom, the color darkroom, creative techniques, and production essentials
  • Chapters that begin with a thorough foundation followed by numerous tutorial examples that apply the theory to real-world examples
  • Examples and a layout that enables readers to find, understand, and apply the featured techniques quickly and easily
  • The authors are both renowned photographers and Photoshop experts

The Creative Digital Darkroom is not your typical digital photography “how to” book. It’s ideal for intermediate and advanced photographers, artists, and educators looking for clear, concise, insightful, and inspiring information and techniques on how to make their photographs shine. The language, and techniques will immediately appeal to serious students and professionals, and the original tutorial images and high-profile work will make the book an important visual resource for educators and art appreciators.

The Creative Digital Darkroom
By Katrin Eismann, Sean Duggan
Paperback: 429 pages
Publisher: O’Reilly Media, Inc. (January 11, 2008)
Language: English
ISBN-10: 0596100477
ISBN-13: 978-0596100476
Product Dimensions: 9.8 x 7.9 x 1.1 inches
List Price: $49.99
Amazon Price: $31.46

9780596100476_lrg-1.jpg

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O’Reilly Media Publishes Aaland’s ‘Photoshop CS3 Raw’ http://photoshopnews.com/2008/01/03/oreilly-media-publishes-aalands-photoshop-cs3-raw/ http://photoshopnews.com/2008/01/03/oreilly-media-publishes-aalands-photoshop-cs3-raw/#comments Thu, 03 Jan 2008 19:45:58 +0000 PSN Editorial Staff http://photoshopnews.com/2008/01/03/oreilly-media-publishes-aalands-photoshop-cs3-raw/ 9780596510527_cat.pngPress Release: SEBASTOPOL, Calif. — “Raw data is the holy grail of digital photography,” said award-winning photographer and best-selling author Mikkel Aaland, when his book Photoshop CS2 Raw was published two years ago.

The same is still true today.

“Anyone who is serious about digital photography and wants to produce the best possible picture needs to shoot and process Raw,” notes Aaland in the introduction of his new book, Photoshop CS3 Raw (O’Reilly, $34.99 U.S.).

Aaland’s up-to-the-minute edition focuses on the important features of Adobe Photoshop CS3, including Camera Raw’s new retouching tools, expanded controls and ramped up sharpening features.

Aaland also explains how to use Camera Raw in conjunction with Photoshop CS3 and Adobe Bridge 2.0 to capture organize and optimize Raw images so you can produce the best possible digital photographs.

With a personal teaching style that illuminates and inspires, Aaland offers easy-to-follow visual instructions to demonstrate how Raw data gives you greater flexibility and control during the editing process. You learn which tools to use for each phase of your workflow, from managing shoots to perfecting photos. Once you apply these techniques to your own work, you’ll understand why so many professionals turn to the Camera Raw plug-in — and to Photoshop CS3 Raw as their guide.

Easy-to-follow instructions and beautiful illustrative graphics help you gain quick understanding of Photoshop CS3′s three distinct working environments for Raw files: Camera Raw, Bridge and Photoshop itself.

With this book, you’ll learn how to:

• Decide when (and when not) to shoot Raw

• Organize and manage your Raw images in Adobe Bridge

• Automate Raw capture and processing with scripts and actions

• Achieve optimal tonal control and accurate color with Adobe Camera Raw

• Sharpen Raw images smartly

• Create stunning black-and-white images from your Raw files

• Save and archive DNG files

Between the gorgeous examples that Aaland lays out and his clear writing style, you’ll not only learn how to best utilize Photoshop CS3′s Camera Raw, but you’ll also enjoy the journey of learning these skills under Aaland’s tutelage.

About the Author

Mikkel Aaland
is a professional photographer whose pioneering work in digital photography dates back to 1981. He is the author of nine books including the bestselling Photoshop Elements Solutions and O’Reilly’s acclaimed Photoshop Lightroom Adventure. Visit his Web site at http://www.shooting-digital.com.

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New Book – The Creative Digital Darkroom http://photoshopnews.com/2007/12/19/new-book-%e2%80%93-the-creative-digital-darkroom/ http://photoshopnews.com/2007/12/19/new-book-%e2%80%93-the-creative-digital-darkroom/#comments Wed, 19 Dec 2007 20:51:04 +0000 PSN Editorial Staff http://photoshopnews.com/2007/12/19/new-book-%e2%80%93-the-creative-digital-darkroom/ cdd_cvr470x573.jpg

From authors Katrin Eismann and Sean Duggen comes a new book dedicated to creative digital imaging titled The Creative Digital Darkroom.

Due to be released in January of 2008, the book is now available for pre-order from Amazon (we hope Amazon has gotten over it’s “difficulties” dealing with pre-orders).

Book Description
This tutorial takes photographers beyond the quick tips and gimmicky effects of many digital photography books. Author Katrin Eismann — an internationally acclaimed artist, bestselling author, and gifted educator — offers high-profile work, including her own, as examples for teaching photographers how to use the digital medium to create, edit, and output images that reflect their true vision.

Co-authored by photographer and teacher Sean Duggan, The Creative Digital Darkroom translates skills, concepts, and nomenclature of the traditional darkroom into digital solutions for photographers who sense that, despite the newness of the technologies at hand, there remains a timeless method for learning and practicing photography the right way. This is not a Photoshop book per se, but it does focus on the photographic aspects of Photoshop, something other books claim to do but rarely have the discipline to accomplish.

The Creative Digital Darkroom includes:

  • Four sections that cover the black & white darkroom, the color darkroom, creative techniques, and production essentials
  • Chapters that begin with a thorough foundation followed by numerous tutorial examples that apply the theory to real-world examples
  • Examples and a layout that enables readers to find, understand, and apply the featured techniques quickly and easily
  • The authors are both renowned photographers and Photoshop experts

Clearly, The Creative Digital Darkroom is not your typical digital photography “how to” book. It’s ideal for intermediate and advanced photographers, artists, and educators looking for clear, concise, insightful, and inspiring information and techniques on how to make their photographs shine. The language, and techniques will immediately appeal to serious students and professionals, and the original tutorial images and high-profile work will make the book an important visual resource for educators and art appreciators.

Paperback: 429 pages
Publisher: O’Reilly Media, Inc. (January 11, 2008)
Language: English
ISBN-10: 0596100477
ISBN-13: 978-0596100476
List Price: $49.99
Amazon Pre-order price: $31.49

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Real World Camera Raw for CS3 hits #1 in Photoshop Books http://photoshopnews.com/2007/11/28/real-world-camera-raw-for-cs3-hits-1-in-photoshop-books/ http://photoshopnews.com/2007/11/28/real-world-camera-raw-for-cs3-hits-1-in-photoshop-books/#comments Thu, 29 Nov 2007 01:00:30 +0000 Jeff Schewe http://photoshopnews.com/2007/11/28/real-world-camera-raw-for-cs3-hits-1-in-photoshop-books/ best-seller-photoshop.png

Real World Camera Raw for Adobe Photoshop CS3 written by Bruce Fraser and myself just hit #1 on Amazon’s category of Adobe Photoshop books! Yeah! Must have been that glowing (but biased review) Michael Reichmann of the Luminous Landscape posted today. Read the review here.

Thanks Michael! But wait, there’s more…

I was pretty excited because at one point the book was ranked at #181 overall in book sales! However, I was pretty depressed to learn that Today’s best seller was You: Staying Young: The Owner’s Manual for Extending Your Warranty. But, that book is even outselling Harry Potter and the Deathly Hallows (Book 7), at least today.

:~)

Of course, fame is fleeting. I went to check the Photography category only to find it’s at #2 behind Scott Kelby’s The Digital Photography Book.

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Oh, well…there’s still time.
(but hurry)

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It’s Shipping–Real World Camera Raw with Adobe Photoshop CS3 http://photoshopnews.com/2007/11/08/its-shipping%e2%80%93real-world-camera-raw-with-adobe-photoshop-cs3/ http://photoshopnews.com/2007/11/08/its-shipping%e2%80%93real-world-camera-raw-with-adobe-photoshop-cs3/#comments Thu, 08 Nov 2007 22:06:00 +0000 Jeff Schewe http://photoshopnews.com/2007/11/08/its-shipping%e2%80%93real-world-camera-raw-with-adobe-photoshop-cs3/ jeff-book-sm.jpgContrary to what you may have heard about a delay, Real World Camera Raw with Adobe Photoshop CS3 is shipping–NOW! And, boy, am I happy.

RWCR CS3 (I kinda like to shorten the title a bit because I’ve gotten real tired of typing the whole phrase, over and over) was a labor of love that was done to honor the lasting memory of Bruce Fraser, my co-author, business partner and good friend. And while he isn’t around to see the end result, I have a pretty good idea that Bruce would be pleased.

I kept a lot of Bruce and did a good job (or so I’m told) of updating the book for Camera Raw 4.x, which as you know is arguably the largest and most impressive update yet to Thomas Knoll’s little raw processing plug-in. In fact, Thomas reviewed the new chapters and made sure I didn’t screw up hardly at all. I also owe special thanks to Zalman Stern, the “other” engineer on Camera Raw who answered a lot of my really stupid questions and actually admitted that several “inconsistencies” I found with Camera Raw while writing were actually bugs and not me going crazy.

And no, if you DID pre-order the book from Amazon and you received a message saying the book was delayed until December, well, Amazon is wrong. I don’t know what Amazon was thinking (apparently it was some accidental automated message) but I’m here to tell you that the book was always scheduled for “Fall 2007″ and I would say that a shipping date of November 8th, 2007 falls under the heading of “on time”.

Just to prove that the book is finished (and give an insight to the printing process), I’ve even written a little story about my adventures down to Courier Printing in Kendallville, Indiana. No, I didn’t ride my motorcycle as I had planned. The forecast was for rain and I’m not stupid. It was a very interesting trip and rather impressive to watch this huge, honking press churning out really well reproduced images from both Bruce and myself. See the story under the PhotoshopNews.com Featured Stories category: Printing RWCR CS3.

I’m also planning on writing a story about how I handled the color management for the book. I did all the separations after a couple rounds of color proofs and profile making.

So, I hope you get the chance to check the book out–or, better yet buy one or two! You can put them around the house for easier reading options.

Real World Camera Raw with Adobe Photoshop CS3
By Bruce Fraser and Jeff Schewe
Paperback: 384 pages
Dimensions 7-1/2 X 9-1/8
Publisher: Peachpit Press; 1 edition (November 8, 2007)
Language: English
ISBN-10: 0321518675
ISBN-13: 978-0321518675
List Price: $44.99
Street price: about $35.00

Additional information on www.RealWorldCameraRaw.com

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The RWCR CS3 cover includes photos shot by Jeff on the most recent Antarctic Photo Expedition with Michael Reichmann of the Luminous Landscape in February, 2007. See the story about the 2007 trip and additional shots from 2005.

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