THE VISION THING:
Navigating the Slippery Slope of Digital Manipulation With Eyes Wide Shut
Source: The Digital Journalist
Written By Robert Trippett
The moment a photojournalist releases the shutter a sacred threshold is crossed. The instant after the shutter blinks open and closes, whether it is for a thousandth-of-a-second to freeze the impact of a baseball bat on a ball, or several hours to soak up the faint glow of a passing comet, the door also shuts for a photojournalist to manipulate that captured representation of reality. Any technical choices made before that moment – whether a choice of cameras, light, lenses, filters, exposure settings, or simply where to stand – are generally accepted as tools for achieving the photographer’s vision. Any digital post-processing beyond the accepted darkroom techniques of yore, such as burning or dodging, are usually considered a prohibited manipulation of that sacrosanct moment of exposure.

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